Gotye Engineer/Producer François Tétaz On Pursuing Weird & Wonderful Work
It’s good to be able to keep that perspective when it’s also a paying job. I’ve done the same thing in film, where I’ll ask ‘why should this have a score?’ I’ve had a couple of friends with films like...
View ArticleInvisible Cities: A Wireless Opera Comes To Union Station
In the latest production of L.A.’s The Industry, the traditional stage is jettisoned in favor of a larger and less restrictive venue: Downtown L.A.‘s iconic Union Station. This past Saturday saw the...
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Plugin Review: Neve 88RS MkII from Universal Audio
For snares and bass, I found myself using the compressor in conjunction with a distorted signal from the mic preamp more than once, and felt no less satisfied than I would having using my usual...
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Software Review: The Foundry by Sonicsmiths
In the world of virtual instruments, it’s safe to say that the number of choices out there has become overwhelming, especially once you realize just how deep and malleable each of the many choices...
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Software Review: Albion One by Spitfire Audio
Founded in 2007, UK-based Spitfire Audio’s products have rapidly become a de facto part of many a modern composer’s sample-based toolkit. Back in 2011, Spitfire released their Albion Volume I, an...
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